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A textile^[1] is a flexible material consisting of a network of natural or artificial fibers (yarn or thread). Yarn is produced by spinning raw fibres of wool, flax, cotton, hemp, or other materials to produce long strands.^[2] Textiles are formed by weaving, knitting, crocheting, knotting or tatting, felting, or braiding.

The related words 'fabric'^[3] and 'cloth'^[4] and 'material' are often used in textile assembly trades (such as tailoring and dressmaking) as synonyms for textile. However, there are subtle differences in these terms in specialized usage. A textile is any material made of interlacing fibres, including carpeting and geotextiles. A fabric is a material made through weaving, knitting, spreading, crocheting, or bonding that may be used in production of further goods (garments, etc.). Cloth may be used synonymously with fabric but is often a piece of fabric that has been processed.

• 4Sources and types

Etymology[edit]

The word 'textile' is from Latin, from the adjective textilis, meaning 'woven', from textus, the past participle of the verb texere, 'to weave'.^[5]

The word 'fabric' also derives from Latin, most recently from the Middle Frenchfabrique, or 'building, thing made', and earlier as the Latin fabrica 'workshop; an art, trade; a skilful production, structure, fabric', which is from the Latin faber, or 'artisan who works in hard materials', from PIEdhabh-, meaning 'to fit together'.^[6]

The word 'cloth' derives from the Old Englishclað, meaning a cloth, woven or felted material to wrap around one, from Proto-Germanic kalithaz (compare O.Frisian 'klath', Middle Dutch 'cleet', Dutch 'kleed', Middle High German 'kleit', and German 'kleid', all meaning 'garment').^[7]

History[edit]

The first clothes, worn at least 70,000 years ago and perhaps much earlier, were probably made of animal skins and helped protect early humans from the ice ages. Then at some point people learned to weave plant fibers into textiles.

The discovery of dyed flax fibres in a cave in the Republic of Georgia dated to 34,000 BCE suggests textile-like materials were made even in prehistoric times.^[8][9]

The production of textiles is a craft whose speed and scale of production has been altered almost beyond recognition by industrialization and the introduction of modern manufacturing techniques. However, for the main types of textiles, plain weave, twill, or satin weave, there is little difference between the ancient and modern methods.

Uses[edit]

Textiles have an assortment of uses, the most common of which are for clothing and for containers such as bags and baskets. In the household they are used in carpeting, upholstered furnishings, window shades, towels, coverings for tables, beds, and other flat surfaces, and in art. In the workplace they are used in industrial and scientific processes such as filtering. Miscellaneous uses include flags, backpacks, tents, nets, handkerchiefs, cleaning rags, transportation devices such as balloons, kites, sails, and parachutes; textiles are also used to provide strengthening in composite materials such as fibreglass and industrial geotextiles. Textiles are used in many traditional crafts such as sewing, quilting and embroidery.

Textiles for industrial purposes, and chosen for characteristics other than their appearance, are commonly referred to as technical textiles. Technical textiles include textile structures for automotive applications, medical textiles (e.g. implants), geotextiles (reinforcement of embankments), agrotextiles (textiles for crop protection), protective clothing (e.g. against heat and radiation for fire fighter clothing, against molten metals for welders, stab protection, and bullet proof vests). In all these applications stringent performance requirements must be met. Woven of threads coated with zinc oxidenanowires, laboratory fabric has been shown capable of 'self-powering nanosystems' using vibrations created by everyday actions like wind or body movements.^[10][11]

Sources and types[edit]

Textiles are made from many materials, with four main sources: animal (wool, silk), plant (cotton, flax, jute, bamboo), mineral (asbestos, glass fibre), and synthetic (nylon, polyester, acrylic, rayon). The first three are natural. In the 20th century, they were supplemented by artificial fibres made from petroleum.

Textiles are made in various strengths and degrees of durability, from the finest microfibre made of strands thinner than one denier to the sturdiest canvas. Textile manufacturing terminology has a wealth of descriptive terms, from light gauze-like gossamer to heavy grosgrain cloth and beyond.

Animal[edit]

Animal textiles are commonly made from hair, fur, skin or silk (in the silkworms case).

Wool refers to the hair of the domestic sheep or goat, which is distinguished from other types of animal hair in that the individual strands are coated with scales and tightly crimped, and the wool as a whole is coated with a wax mixture known as lanolin (sometimes called wool grease), which is waterproof and dirtproof.^{[citation needed]}Woollen refers to a bulkier yarn produced from carded, non-parallel fibre, while worsted refers to a finer yarn spun from longer fibres which have been combed to be parallel. Wool is commonly used for warm clothing. Cashmere, the hair of the Indian cashmere goat, and mohair, the hair of the North African angora goat, are types of wool known for their softness.

Other animal textiles which are made from hair or fur are alpaca wool, vicuña wool, llama wool, and camel hair, generally used in the production of coats, jackets, ponchos, blankets, and other warm coverings. Angora refers to the long, thick, soft hair of the angora rabbit. Qiviut is the fine inner wool of the muskox.

Wadmal is a coarse cloth made of wool, produced in Scandinavia, mostly 1000~1500 CE.

Sea silk is an extremely fine, rare, and valuable fabric that is made from the silky filaments or byssus secreted by a gland in the foot of pen shells.

Silk is an animal textile made from the fibres of the cocoon of the Chinese silkworm which is spun into a smooth fabric prized for its softness. There are two main types of the silk: 'mulberry silk' produced by the Bombyx Mori, and 'wild silk' such as Tussah silk (wild silk). Silkworm larvae produce the first type if cultivated in habitats with fresh mulberry leaves for consumption, while Tussah silk is produced by silkworms feeding purely on oak leaves. Around four-fifths of the world's silk production consists of cultivated silk.^[12]

Plant[edit]

Grass, rush, hemp, and sisal are all used in making rope. In the first two, the entire plant is used for this purpose, while in the last two, only fibres from the plant are utilized. Coir (coconut fibre) is used in making twine, and also in floormats, doormats, brushes, mattresses, floor tiles, and sacking.

Straw and bamboo are both used to make hats. Straw, a dried form of grass, is also used for stuffing, as is kapok.

Fibres from pulpwood trees, cotton, rice, hemp, and nettle are used in making paper.

Cotton, flax, jute, hemp, modal and even bamboo fibre are all used in clothing. Piña (pineapple fibre) and ramie are also fibres used in clothing, generally with a blend of other fibres such as cotton. Nettles have also been used to make a fibre and fabric very similar to hemp or flax. The use of milkweed stalk fibre has also been reported, but it tends to be somewhat weaker than other fibres like hemp or flax.

The inner bark of the lacebark tree is a fine netting that has been used to make clothing and accessories as well as utilitarian articles such as rope.

Acetate is used to increase the shininess of certain fabrics such as silks, velvets, and taffetas.

Seaweed is used in the production of textiles: a water-soluble fibre known as alginate is produced and is used as a holding fibre; when the cloth is finished, the alginate is dissolved, leaving an open area.

Rayon is a manufactured fabric derived from plant pulp. Different types of rayon can imitate the feel and texture of silk, cotton, wool, or linen.

Fibres from the stalks of plants, such as hemp, flax, and nettles, are also known as 'bast' fibres.

Mineral[edit]

Asbestos and basalt fibre are used for vinyl tiles, sheeting and adhesives, 'transite' panels and siding, acoustical ceilings, stage curtains, and fire blankets.

Glass fibre is used in the production of ironing board and mattress covers, ropes and cables, reinforcement fibre for composite materials, insect netting, flame-retardant and protective fabric, soundproof, fireproof, and insulating fibres. Glass fibres are woven and coated with Teflon to produce beta cloth, a virtually fireproof fabric which replaced nylon in the outer layer of United States space suits since 1968.^{[verification needed]}

Metal fibre, metal foil, and metal wire have a variety of uses, including the production of cloth-of-gold and jewellery. Hardware cloth (US term only) is a coarse woven mesh of steel wire, used in construction. It is much like standard window screening, but heavier and with a more open weave.

Minerals and natural and synthetic fabrics may be combined, as in emery cloth, a layer of emery abrasive glued to a cloth backing. Also, 'sand cloth' is a U.S. term for fine wire mesh with abrasive glued to it, employed like emery cloth or coarse sandpaper.

Synthetic[edit]

Synthetic textiles are used primarily in the production of clothing, as well as the manufacture of geotextiles.

Polyester fibre is used in all types of clothing, either alone or blended with fibres such as cotton.

Aramid fibre (e.g. Twaron) is used for flame-retardant clothing, cut-protection, and armour.

Acrylic is a fibre used to imitate wools,^[14] including cashmere, and is often used in replacement of them.

Nylon is a fibre used to imitate silk; it is used in the production of pantyhose. Thicker nylon fibres are used in rope and outdoor clothing.

Spandex (trade name Lycra) is a polyurethane product that can be made tight-fitting without impeding movement. It is used to make activewear, bras, and swimsuits.

Olefin fibre is a fibre used in activewear, linings, and warm clothing. Olefins are hydrophobic, allowing them to dry quickly. A sintered felt of olefin fibres is sold under the trade name Tyvek.

Ingeo is a polylactide fibre blended with other fibres such as cotton and used in clothing. It is more hydrophilic than most other synthetics, allowing it to wick away perspiration.

Lurex is a metallic fibre used in clothing embellishment.

Milk proteins have also been used to create synthetic fabric. Milk or casein fibre cloth was developed during World War I in Germany, and further developed in Italy and America during the 1930s.^[15] Milk fibre fabric is not very durable and wrinkles easily, but has a pH similar to human skin and possesses anti-bacterial properties. It is marketed as a biodegradable, renewable synthetic fibre.^[16]

Carbon fibre is mostly used in composite materials, together with resin, such as carbon fibre reinforced plastic. The fibres are made from polymer fibres through carbonization.

Production methods[edit]

Weaving is a textile production method which involves interlacing a set of longer threads (called the warp) with a set of crossing threads (called the weft). This is done on a frame or machine known as a loom, of which there are a number of types. Some weaving is still done by hand, but the vast majority is mechanized.

Knitting, looping, and crocheting involve interlacing loops of yarn, which are formed either on a knitting needle, needle, or on a crochet hook, together in a line. The processes are different in that knitting has several active loops at one time, on the knitting needle waiting to interlock with another loop, while Looping and crocheting never have more than one active loop on the needle. Knitting can be performed by machine, but crochet can only be performed by hand.^[18]

Spread Tow is a production method where the yarn are spread into thin tapes, and then the tapes are woven as warp and weft. This method is mostly used for composite materials; spread tow fabrics can be made in carbon, aramide, etc.

Braiding or plaiting involves twisting threads together into cloth. Knotting involves tying threads together and is used in making tatting and macrame.

Lace is made by interlocking threads together independently, using a backing and any of the methods described above, to create a fine fabric with open holes in the work. Lace can be made by either hand or machine.

Carpets, rugs, velvet, velour, and velveteen are made by interlacing a secondary yarn through woven cloth, creating a tufted layer known as a nap or pile.

Felting involves pressing a mat of fibres together, and working them together until they become tangled. A liquid, such as soapy water, is usually added to lubricate the fibres, and to open up the microscopic scales on strands of wool.

Nonwoven textiles are manufactured by the bonding of fibres to make fabric. Bonding may be thermal or mechanical, or adhesives can be used.

Bark cloth is made by pounding bark until it is soft and flat.

Treatments[edit]

Textiles are often dyed, with fabrics available in almost every colour. The dyeing process often requires several dozen gallons of water for each pound of clothing.^[19] Coloured designs in textiles can be created by weaving together fibres of different colours (tartan or Uzbek Ikat), adding coloured stitches to finished fabric (embroidery), creating patterns by resist dyeing methods, tying off areas of cloth and dyeing the rest (tie-dyeing), or drawing wax designs on cloth and dyeing in between them (batik), or using various printing processes on finished fabric. Woodblock printing, still used in India and elsewhere today, is the oldest of these dating back to at least 220 CE in China. Textiles are also sometimes bleached, making the textile pale or white.

Textiles are sometimes finished by chemical processes to change their characteristics. In the 19th century and early 20th century starching was commonly used to make clothing more resistant to stains and wrinkles.

Eisengarn, meaning 'iron yarn' in English, is a light-reflecting, strong material invented in Germany in the 19th century. It is made by soaking cotton threads in a starch and paraffin wax solution. The threads are then stretched and polished by steel rollers and brushes. The end result of the process is a lustrous, tear-resistant yarn which is extremely hardwearing.^[20][21]

Since the 1990s, with advances in technologies such as permanent press process, finishing agents have been used to strengthen fabrics and make them wrinkle free.^[22] More recently, nanomaterials research has led to additional advancements, with companies such as Nano-Tex and NanoHorizons developing permanent treatments based on metallic nanoparticles for making textiles more resistant to things such as water, stains, wrinkles, and pathogens such as bacteria and fungi.^[23]

Textiles receive a range of treatments before they reach the end-user. From formaldehyde finishes (to improve crease-resistance) to biocidic finishes and from flame retardants to dyeing of many types of fabric, the possibilities are almost endless. However, many of these finishes may also have detrimental effects on the end user. A number of disperse, acid and reactive dyes (for example) have been shown to be allergenic to sensitive individuals.^[24] Further to this, specific dyes within this group have also been shown to induce purpuric contact dermatitis.^[25]

Although formaldehyde levels in clothing are unlikely to be at levels high enough to cause an allergic reaction,^[26] due to the presence of such a chemical, quality control and testing are of utmost importance. Flame retardants (mainly in the brominated form) are also of concern where the environment, and their potential toxicity, are concerned.^[27] Testing for these additives is possible at a number of commercial laboratories, it is also possible to have textiles tested for according to the Oeko-tex certification standard which contains limits levels for the use of certain chemicals in textiles products.

See also[edit]

• Textile manufacturing (terminology)
• Textiles of Lampung / Mexico / Oaxaca

References[edit]

1. ^'Textile'. Merriam-Webster. Archived from the original on 2011-11-09. Retrieved 2012-05-25.
2. ^'An Introduction to Textile Terms'(PDF). Archived from the original(PDF) on July 23, 2006. Retrieved August 6, 2006.
3. ^'Definition of FABRIC'. Archived from the original on 2017-10-19. Retrieved 2017-10-18.
4. ^'Cloth'. Merriam-Webster. Archived from the original on 2012-06-06. Retrieved 2012-05-25.
5. ^'Textile'. The Free Dictionary By Farlex. Retrieved 2012-05-25.
6. ^Harper, Douglas. 'fabric'. Online Etymology Dictionary. Retrieved 2012-12-11.
7. ^Harper, Douglas. 'cloth'. Online Etymology Dictionary. Retrieved 2012-12-11.
8. ^Balter, M. (2009). 'Clothes Make the (Hu) Man'. Science. 325 (5946): 1329. doi:10.1126/science.325_1329a. PMID19745126.
9. ^Kvavadze, E.; Bar-Yosef, O.; Belfer-Cohen, A.; Boaretto, E.; Jakeli, N.; Matskevich, Z.; Meshveliani, T. (2009). '30,000-Year-Old Wild Flax Fibers'. Science. 325 (5946): 1359. doi:10.1126/science.1175404. PMID19745144.Supporting Online MaterialArchived 2009-11-27 at the Wayback Machine
10. ^Keim, Brandon (February 13, 2008). 'Piezoelectric Nanowires Turn Fabric Into Power Source'. Wired News. CondéNet. Archived from the original on February 15, 2008. Retrieved 2008-02-13.
11. ^Yong Qin, Xudong Wang & Zhong Lin Wang (October 10, 2007). 'Letter/abstract: Microfibre–nanowire hybrid structure for energy scavenging'. Nature. 451 (7180): 809–813. doi:10.1038/nature06601. PMID18273015. Archived from the original on February 15, 2008. Retrieved 2008-02-13. cited in 'Editor's summary: Nanomaterial: power dresser'. Nature. Nature Publishing Group. February 14, 2008. Archived from the original on February 15, 2008. Retrieved 2008-02-13.
12. ^Trevisan, Adrian. 'Cocoon Silk: A Natural Silk Architecture'. Sense of Nature. Archived from the original on 2012-05-07.
13. ^Art-Gourds.comArchived 2008-10-13 at the Wayback Machine Traditional Peruvian embroidery production methods
14. ^Hammerskog, Paula; Wincent, Eva (2009). Swedish Knits: Classic and Modern Designs in the Scandinavian Tradition. Skyhorse Publishing Inc. ISBN978-1-60239-724-8. Archived from the original on 2017-11-23.
15. ^Euroflax Industries Ltd. 'Euroflaxx Industries (Import of Textiles)'Archived 2010-01-13 at the Wayback Machine
16. ^Fonte, Diwata (August 23, 2005). 'Milk-fabric clothing raises a few eyebrows'. The Orange County Register. Archived from the original on May 1, 2015. Retrieved 2009-10-21.
17. ^'India overtakes Germany and Italy, is new world No. 2 in textile exports'. Archived from the original on 2015-02-15. Retrieved 2015-02-03.
18. ^Rowe, Ann Pollard (1997). Looping and Knitting. Washington, D.C.: The Textile Museum. p. 2.
19. ^Green Inc. Blog 'Cutting Water Use in the Textile Industry.'Archived 2009-07-24 at the Wayback MachineThe New York Times. July 21, 2009. July 28, 2009.
20. ^Industriegeschichte aus dem Bergischen land (in German). (Accessed: 27 November 2016)
21. ^WDR digit project. Eisengarnfabrikation in Barmen.Archived 2016-11-28 at the Wayback Machine (Video (16 min) in German). (Accessed: 27 November 2016).
22. ^'What makes fabric 'wrinkle-free'? Is it the weave or a special type of fiber?'. Ask.yahoo.com. 2001-03-15. Archived from the original on 2012-01-17. Retrieved 2011-12-04.
23. ^'The Materials Science and Engineering of Clothing'. Tms.org. Archived from the original on 2012-01-21. Retrieved 2011-12-04.
24. ^Lazarov, A (2004). 'Textile dermatitis in patients with contact sensitization in Israel: A 4-year prospective study'. Journal of the European Academy of Dermatology and Venereology. 18 (5): 531–7. doi:10.1111/j.1468-3083.2004.00967.x. PMID15324387.
25. ^Lazarov, A; Cordoba, M; Plosk, N; Abraham, D (2003). 'Atypical and unusual clinical manifestations of contact dermatitis to clothing (textile contact dermatitis): Case presentation and review of the literature'. Dermatology Online Journal. 9 (3): 1. PMID12952748.
26. ^Scheman, AJ; Carroll, PA; Brown, KH; Osburn, AH (1998). 'Formaldehyde-related textile allergy: An update'. Contact Dermatitis. 38 (6): 332–6. doi:10.1111/j.1600-0536.1998.tb05769.x. PMID9687033.
27. ^Alaee, M; Arias, P; Sjödin, A; Bergman, A (2003). 'An overview of commercially used brominated flame retardants, their applications, their use patterns in different countries/regions and possible modes of release'(PDF). Environment International. 29 (6): 683–9. doi:10.1016/S0160-4120(03)00121-1. PMID12850087. Archived from the original(PDF) on 2012-10-28.

Further reading[edit]

• Fisher, Nora (1994). Rio Grande Textiles (Paperbound ed.). Museum of New Mexico Press. ISBN0890132666. Introduction by Teresa Archuleta-Sagel. 196 pages with 125 black and white as well as colour plates. Fisher is Curator Emirta, Textiles & Costumes of the Museum of International Folk Art.
• Good, Irene (2006). 'Textiles as a Medium of Exchange in Third Millennium B.C.E. Western Asia'. In Mair, Victor H. (ed.). Contact and Exchange in the Ancient World. Honolulu: University of Hawai'i Press. pp. 191–214. ISBN978-0-8248-2884-4.
• Arai, Masanao (Textile Industry Research Institute of Gunma). 'From Kitsch to Art Moderne: Popular Textiles for Women in the First Half of Twentieth-Century Japan' (Archive). Textile Society of America Symposium Proceedings. Textile Society of America, January 1, 1998.